Susan B. Rothschild
The Department of Cultural Affairs is partnering with the Alliance for
the Arts in an exciting new initiative entitled the Citywide Cultural
Database Project. Once realized, the Citywide Cultural Database will be
an unprecedented resource for DCA, the cultural community, New York City
public schools, parents, teachers, and members of the general public.
The Citywide Cultural Database represents a great advance in compiling
and making available information about the city's not-for-profit cultural
organizations—no other initiative on this subject matches this project
in scope.
To maximize the usefulness of the Citywide Cultural Database, DCA and
the Alliance need the assistance of the cultural community. Here's what
the project is all about, and how cultural organizations can help.
What is the Citywide Cultural Database?
The Citywide Cultural Database will be an electronic database offering
comprehensive online Web-based information to the public via a user-friendly
format detailing what's happening in the not-for-profit cultural world.
The database will have three parts, each with a different Web site. Here
are the three components:
1. NYC KidsArts
This Web site will describe educational programs offered by the cultural
community that are geared towards children, families, and school groups.
Currently active in a text format with limited search capabilities at
www.nyckidsarts.org, NYC KidsArts
will eventually have much more extensive search features. Parents will
be able to browse the site to find activities of particular interest to
their families; eventually, young people themselves will use this site
for their own searches. Teachers will use NYC KidsArts to learn about
educational programs in the arts that are related to their subject area
and to relevant school curricula and state and city learning standards.
Users will be able to customize the site to suit their special interests
and will also have access to special mapping features.
The information to be contained in NYC KidsArts will be developed in
partnership with the Board of Education, the Center for Arts Education,
the NYC Arts in Education Roundtable, and the United Federation of Teachers
(UFT), as well as others involved in arts education. NYC KidsArts will
build on the pioneering efforts of the Alliance in publishing the Kids
Culture Catalog, the quarterly NYCkidsARTS, and the Arts and Cultural
Education Services Guide issued by the Board of Education, all of which
contain a wealth of information in print form on cultural programs in
New York City available to school children and families. Additional content
on NYC KidsArts may include special features on particular programs; news
bulletins in the area of arts education, including updates on the activities
of the Center and Project Arts; bulletin boards for parents, teachers,
and young people to exchange information and ideas; and links to the Web
sites of those organizations featured in NYC KidsArts.
In addition to home access for parents and teachers, NYC KidsArts is
expected to be a featured site at libraries throughout the city—especially
at the terminals within their children's reading areas—and will also
be available to teachers and school administrators at terminals located
in their schools and at UFT Teacher Centers.
2. NYC Arts
This Web site will impart information about the city's not-for-profit
cultural organizations and what they offer the public both in terms of
regular programming and special programs—e.g., temporary exhibits,
performance series, tours, lectures, and the like—for the purpose
of encouraging people to attend these events. The NYC Arts site will be
used both by New York City residents and visitors to New York City, domestic
and foreign, when planning outings in or trips to New York. Other users
may include tour operators and other tourism professionals, including,
in particular, the Convention and Visitors Bureau.
As with NYC KidsArts, this site will build on print media already published
by the Alliance—i.e., The New York City Culture Catalog and quarterly
cultural calendars—and will be linked to the Web sites of the cultural
organizations profiled in the site, thus providing what is likely to be
the most comprehensive listing available of Web sites pertaining to the
city's cultural community. Also, as with the KidsArts site, users will
be able to create their own individualized version of NYC Arts and print
maps and personal itineraries.
3. DCA's Home Page
As part of the city's overall E-government initiative, DCA plans to develop
the capability of receiving applications and reports online from its constituents
at the DCA Web site (currently www.nyc.gov/html
/dcla/home.html), thereby enabling us to gather quantitative and statistical
information about the cultural community. By means of the Citywide Cultural
Database, the Alliance will be given limited access to this information
in the form of collective data so as to make possible regular reports
by the Alliance on the economic impact of the cultural community. These
reports will be published by the Alliance at its Web site, www.allianceforarts.org.
Previously, when forced to laboriously collect data by hand, the Alliance
was able to issue studies, such as its 1997 economic impact study, only
on an occasional basis. By computerizing the collection of data, the Cultural
Database will enable the Alliance to issue these reports much more frequently.
Additionally, because the information can be formatted in a number of
ways, DCA and the Alliance will have the ability to do much more targeted
research, and DCA will have more effective and timely data with which
to advocate for both public and private funding for our constituency.
How will information be gathered and updated?
To enable the Citywide Cultural Database to work most effectively, the
system will authorize cultural organizations with Internet access to enter
and update their own information directly online. As to the KidsArts and
NYC Arts sites, each organization will enter its information in a pre-determined
format; these entries will then be edited by the Alliance for consistency
of tone, and, thereafter, updated periodically by the organization.
As to the collection of statistical data, this information will be obtained
through DCA's regular application and reporting processes in a Web-based
format to be developed separately by DCA. By making possible the submission
of this information online, DCA hopes to achieve major efficiencies both
for itself and for our constituency. As stated above, the data collected
will then be aggregated and passed along to the Alliance for research
and reporting purposes. However, as much of this information is confidential,
appropriate safeguards will be developed so that only DCA has access to
the information relevant to a particular organization.
We recognize that some cultural organizations, particularly smaller ones,
may not yet have the capacity to file information with DCA online. Thus,
a secondary goal of this project is to highlight the need for additional
resources to enable the cultural community to further develop its Internet
capability and create a higher profile on the Web.
How will the Citywide Cultural Database be paid for and implemented?
The Citywide Cultural Database has a broad base of public and private
support, with Mayor Giuliani and the City Council providing almost $1.2
million in city capital funds. Meanwhile, the private sector has contributed
additional funds in excess of $800,000.
As to its implementation, a preliminary data model is now being developed
by the Alliance with Dr. Jerry Scally, one of the country's leading database
designers (because of his belief in the importance of this project, Dr.
Scally is donating his services on a pro bono basis). DCA expects to issue
a request for proposals in the early part of calendar year 2001 for the
final design and installation of the database with the hope of having
NYC KidsArts and NYC Arts up and running within a year's time.
How can the cultural community assist in the development and implementation
of the Citywide Cultural Database?
DCA and the Alliance are currently in the process of asking representatives
from the cultural community to work with the Alliance and Dr. Scally in
developing the preliminary data model for the Citywide Cultural Database
over the next three months. Additionally, we will be forming focus groups
from among the various constituencies to be served by this project—arts
groups, parents, teaching artists, teachers, students, and members of
the general public—to gain their input as to the kind of information
which should be collected and disseminated and other services which might
be offered, such as an online newsletter, tips for parents and teachers,
and links to other helpful resources, e.g., a guide to restaurants and
other nearby amenities.
We are eager for comments from the field regarding content as well as
logistical issues that should be taken into account in implementing the
project, and, in general, any ideas that would make the Citywide Cultural
Database an even more useful resource for the cultural community. Those
interested in having input should contact any of the following individuals:
Susan Rothschild ([212] 643-6197) and Maureen Nash ([212] 643-7718) at
DCA; and Randy Bourscheidt, Anne Coates, and Sara Loughlin (all at [212]
947-6340) at the Alliance.
To sum up, why is this project important to DCA, the Alliance, the cultural
community, and members of the general public?
1. Parents will have a readily available source of information concerning
cultural events and organizations to attend in New York City with their
families, thereby increasing parental awareness of what arts and culture
can contribute to the education of their children.
2. Teachers will have easy access to the full range of school programs
and other resources offered by the cultural community, and can use these
resources in developing curricula and lesson plans and scheduling school
trips, thus fostering the integration of arts and culture into the core
curriculum.
3. New York City residents and visitors to New York can plan outings
in and trips to New York around their special interests, and can find
out what's happening in venues outside of the cultural mainstream, including
boroughs other than Manhattan, thereby increasing the visibility of and
attendance at lesser known cultural organizations.
4. Tour operators can plan customized itineraries for their clients and
cultural organizations can collaborate with other tourist attractions
to offer special package deals, thereby increasing tourism in New York
City.
5. Both DCA and the Alliance can better demonstrate the substantial contribution
made by arts and culture to the city's economy, thereby stimulating increased
support for the cultural community from both the public and the private
sector.
6. Groups funded by or interested in receiving funding from DCA will
be able to file applications with and submit final reports to DCA online,
resulting in administrative efficiencies both at DCA and within the cultural
community.
7. Individual members of the cultural community—such as teaching
artists and program directors—will have ready access to information
regarding what other organizations are doing, thereby fostering opportunities
to learn from and partner with others in the field.
8. DCA will have an instant means of communicating with the cultural
community, thereby enabling both DCA and its constituencies to become
better informed about issues of common concern.
To close on a more philosophical note, the Citywide Cultural Database
offers the cultural community a unique opportunity to present itself in
a holistic way. As the Alliance study issued in 1997 indicates, in 1995,
arts and culture had an economic impact on New York City of $11.1 billion;
of that figure, $3.2 billion was generated by the not-for-profit sector.
Other industries of like size have long gathered statistics relating to
their economic impact. Our field needs to do the same, and to think of
how much more we can accomplish by working together to present the total
picture outlining the many ways arts and culture contribute to New York
City—to its economy, to the education of our children, and, more
intangibly, to the creative and intellectual energy which is so uniquely
New York City.
Susan B. Rothschild is the Assistant Commissioner for Cultural Institutions
at the NYC Department of Cultural Affairs
Funding Opportunity
Community Arts Development Program Issues—2001-2002 Application
This winter, the Community Arts Development Program (CADP) is issuing
the 2001-2002 Guidelines and Applications/RFP to regrant $250,000 to eligible
community arts organizations. The RFP is conducted biannually, and funding
for CADP continues to be provided by the United States Department of Housing
and Urban Development (HUD) Community Development Block Grant (CDBG).
Qualified arts organizations, located within the boundaries of New York
City, may apply to obtain professional arts equipment and/or to improve
their facilities. Organizations with experience in executing public art
may apply to produce works of art to enhance public facilities. Not every
not-for-profit organization is eligible to apply due to federal regulations
restricting the expenditure of CDBG funds to low and moderate income areas.
Exceptions may be made for applicants outside of these areas in need of
assistance for projects of code compliance, as well as access compliance
as required by the Americans with Disabilities Act (ADA). Projects of
historic preservation may also be considered. Organizations may be eligible,
as well, if they primarily serve limited clientele, such as the elderly,
people with disabilities, homeless persons, abused children, battered
spouses, and illiterate persons.
CADP grants for small capital projects usually do not exceed $14,500.
This assistance is targeted at spaces that will be rendered functional
when the CADP project is completed, and holds true for projects that can
be achieved with CADP funding alone or when the CADP grant becomes part
of the capital funding raised for a larger project. Many CADP grantees
have successfully leveraged other capital grants for their renovation
projects. CADP funding can be matched with New York State Council on the
Arts (NYSCA) Capital Project grants, and several excellent joint projects
have been completed, with more underway. Applicants must be aware that
regardless of the prospect of matching funding NYSCA's Capital Project
Program and CADP have separate and distinct guidelines with qualifications
that must be fulfilled independently.
If your organization is listed with Cultural Affairs, and has been receiving
announcements and/or applications for grants, you will be receiving an
announcement concerning CADP's RFP. If such communications are not being
received, and you would like to be placed on the mailing list, please
send a letter or postcard to:
Program Services
Department of Cultural Affairs
330 West 42nd Street
New York, NY 10036
ATT: Mailing List
For information concerning the Capital Project Program of the New York
State Council on the Arts, please call Nancy Cohn at (212) 387-7018. NYSCA's
application deadline is March 1, 2001. Only those organizations funded
by NYSCA's other programs for the last three consecutive years are eligible
to apply to its Capital Project Program.
The information contained in the above article is current
as of its January 2001 publication date. Please be advised that this information
may be out of date.