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NYFA Artists
Fiscally Sponsored Artist Project - 2006
Film

Artist Statement:
Project Title: Harry Babasin's Jazz in Hollywood.

"Harry Babasin's Jazz In Hollywood" is a documentary about an unsung hero of jazz bass. Touring with such big bands as The Benny Goodman Orchestra and Woody Herman's 'Second Herd', Harry came to Hollywood in 1946, where he helped define the 'west coast jazz movement'. His innovations include pizzicato jazz cello and the birth of the bossa nova, while also starting one of the first musician produced record labels, Nocturne Records, in 1954, whose landmark 'Jazz In Hollywood' series set the standard for 'cool' on the west coast.

Today's youth are bombarded by media images that shape impressionable minds. Consequently, the artists that they look up to are the ones who receive the most attention. We involved in the arts, especially in music, need to honor those great innovators who displayed instrumental virtuosity, in an attempt to inspire new generations to work hard and strive to achieve great things. They need to see those who put in hours and weeks and months and years of dedication to become excellent at what they did, who shaped the future with genius, inspiration, and creativity, are truly worthy of recognition for their amazing accomplishments.

More about the Artist:
Born and raised in Hollywood, CA, by his father, legendary bassist/producer, Harry Babasin, and grandfather, respected A.C.E. film editor, Russell Schoengarth, Von Babasin has been literally surrounded by the entertainment industry all his life. Himself, an award winning bassist/composer with his critically acclaimed group, ONOFFON, Mr. Babasin is carrying on a tradition of quality and integrity in independent art, also learning the anatomy of filmmaking while working under such directors as Joel Schumacher, John Carpenter, and Luis Valdez. A working bassist in Studio City, CA, a 20+ year affiliated composer with BMI, a 10+ year member of Musician's Local #47, a member of NARAS, and an advisor on the board of directors of Los Angeles Music Week, Babasin brings an extraordinary insight to the struggles and successes facing today's musicians and filmmakers.

Babasin earned his film experience working for Universal Studios with special effects crews on such movies as Airport '77, Jaws 2, The Incredible Shrinking Woman, and John Carpenter's The Thing. After Universal, Babasin worked for independent film companies, as a screen credited grip on La Bamba, and more special effects for a variety of small films. In 1983, he was named Production Manager for the Music Video Division of Jam Power Records, directing a number of music videos, one earning a nomination for an independent screening award at the 1984 Billboard/MTV Music Video Conference. In 1992, while recording and composing with a group called The RH Factor, he worked with the music supervisor in providing the underscore for an independent feature, "Forever," receiving multiple screen credits, from music to special visual effects to foley.

Babasin's most recent focus has been on his original jazz rock group, ONOFFON. Currently on more than 3,000 websites around the world, ONOFFON consistently wins awards and features throughout cyberspace. They were named 2005 Artist of the Year by last year's International Online Music Awards, and their latest release, Bridge to Presage, earned the 2006 Best Album Award at this year's IOMA's. Just as passionate, though, is Babasin's pursuit to bring recognition to an artform during a time in music that featured excellence in musicianship. "I have all my father's career in a scrapbook", Babasin says, "pictures and recordings with Charlie Parker, Chet Baker, Louis Armstrong, Benny Goodman, Shorty Rogers, Buddy Rich - the film is the tip of the iceberg." Ken Burns admitted in his Jazz documentary that, before he made it, he knew virtually nothing of jazz. Babasin has lived jazz all his life and no one is more qualified to tell this particular story in this particular way.

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