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| Bruce Alrighty? by Andrea Neustein |
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The anonymous arts collective The Bruce High Quality Foundation have become the underground darlings of the art world. Featured in this year's Whitney Biennial (as well as their own alternative "Brucennial"), BHQF spoke to Andrea Neustein about the motivations behind their work, the center of which is a free art school meant to prepare its students for an amorphous and decidedly imperfect art world.
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| Esther Neff on The Institutional Glorybowl Trilogy |
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Founding member of the experimental performance co-op Panoply Lab, Esther Neff details the research and creative process behind PP's trilogy The Transformational Grammar of the Institutional Glorybowl , which explores the complex relations between individuals and institutions, among them the schools and workplaces where we spend a majority of our everyday lives.
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| A Month at Hawthornden Castle by Suzan Sherman |
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NYFA Current editor Suzan Sherman spent a month at Hawthornden Castle, a writer's retreat outside of Edinburgh, writing an essay on an orphan train reunion she attended in Kansas. A largely forgotten phenomenon, the orphan train program sent hundreds of thousands of destitute children out West to be taken in by farm families, and served as a precursor to foster care and adoption in this country.
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| ArtsTech: A Year in Review by An Xiao |
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A year ago Julia Kaganskiy organized her first Arts, Culture, and Technology Meetup, a gathering of artists and arts professionals who utilize technology to increase awareness of the arts. Artist An Xiao goes behind the scenes of these increasingly popular Arts Tech Meetups, comprised of panel discussions with those on the arts/techonology forefront, and speaks to Kaganskiy on how it all got started.
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| Deadlines & Headlines |
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NYFA Current’s Deadlines & Headlines section regularly provides listings of upcoming grant, award, and residency deadlines as well as information on upcoming NYFA events and news on NYFA artists. These listings are for March deadlines. Profiled NYFA artists include Diana Cooper, John Kelly, and John Lindberg.
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