2022 Playwriting/Screenwriting Guidelines

Playwrighting/Screenwriting

Application Deadline: Wednesday, January 26, 2022 5:00 PM EST

NYFA only accepts applications submitted online at apply.nyfa.org/submit

DISCIPLINE DEFINITION 

Playwriting/Screenwriting

This category accepts work in the writing of stageplays, screenplays, teleplays, libretti, radioplays, and audiodramas. While librettists may apply in this category, no audiotapes are accepted in this category. Composers of music theater works are advised to apply separately in the Music/Sound category.

APPLICATION REQUIREMENTS

When Submitting an application to the Playwriting/Screenwriting category you will need to complete:

Required:

  • Artist Statement – up to 100 words
  • Work Statement – up to 100 words 
  • Excerpt Explanation – up to 400 words
  • Work Samples – up to 20 pages of manuscript, 12 point font, double spaced or in script format, and a one page title page (21 pages total)

Optional written statements:

  • Technical Statement – up to 200 words 
  • Cultural Statement – up to 400 words 

ACCESSIBILITY STATEMENT

NYFA is committed to supporting artists from every background, and at all stages in their creative careers. We strongly encourage artists of color, LGBTQ+ artists, artists with disabilities, and artists living outside of the metropolitan area to apply.

To request an accommodation or assistance in applying, please email [email protected]. We ask that requests for accommodation be made as soon as possible or by January 12, 2022 to allow adequate time for staff to support you in submitting an application before the deadline.

WORK SAMPLES

Manuscript of your Literary work

Work samples are a representation of your artistic work created within the last five years. This is the most important part of your application, as it will be the primary point of review. 


Work Sample Inventory: 

Applicants can submit up to 20 pages from a manuscript that best represents their practice. Please also include a one page title page in your PDF in addition to the 20 page manuscript (21 pages in total). The title page should include the title of the piece and the date of completion, but not the name of the author. If your work sample includes a combination of excerpts from larger works, you are strongly advised to include substantial portions from each larger work, rather than small fragments.

Do not include publication and/or production information anywhere on your manuscript. Do not include your artistic résumé in your .pdf. Materials can be previously published or not. If published, scanned excerpts from books or periodicals, in published form, will be ineligible. Manuscripts must be in English, but can be translated into English by someone other than the artist.


Work Sample Descriptions:

Before you upload the .pdf file to your application, you will need to name your file. Do not label your work sample with your name. Instead, label it with the title of your work.

After your work sample has been uploaded, you will be able to provide a description (metadata) including title, date the work was completed, and additional information. Do not include production or publication history.


File Format:

  • File name: label your manuscript with the title of the work, ex. The Big Story.pdf or Work Sample 2021. Do not include your name.
  • Length: Up to 20 pages. Must be 12 point font and double spaced or in script format.
  • Title Page: One page title page with the title of the work(s), and year of completion, but not the name of the author/applicant.
  • Language: English
  • File format: .pdf

SUPPORT STATEMENTS

Written statements about your artistic practice 

Support statements are available to the panelists in the later rounds of review.

Artist Statement: A short concise statement giving an overview of your artistic practice. This statement should give a brief introduction to ideas, themes and methods in your practice. This is not an Artist’s Bio. Up to 100 words. 


Work Statement: A statement explaining your artistic vision as directly related to your submitted work samples. This is not an artist statement, but should instead reflect only the ideas and inspiration relevant ONLY to the work submitted. Up to 100 words. The work statement is available to panelists in the first round of review.

Questions to consider for your Work Statement: Referencing only the submitted Work Samples

1. What is your submitted work about?

2. How does this work represent the primary concerns and intentions of your artistic practice as described in your artist statement?


Excerpt Explanation: A supplemental statement further explains the context, concept, and execution of your work sample(s). This statement should explain how the excerpted work sample relates to the entire original piece. Within the Excerpt Explanation you can itemize each submitted work sample(s) and discuss them individually. Up to 400 words. 

Questions to consider for your Excerpt Explanation: Referencing only the submitted Work Samples

1. How does your work sample(s) relate to the full work?

2. What information is needed to give context to your work samples?


Technical Statement (Optional): A supplemental statement describing the key technical aspects of the work. Use this statement to highlight your role in creating/executing the work. Be sure to note whether your work samples represent documentation of a performance, installation, experience, etc. You can also describe the circumstances in which the viewer/audience should experience the work. Please include instructions on how to navigate your work if it’s interactive. Up to 200 words.

Questions to consider for your Technical Explanation: Referencing only the submitted Work Samples

1. How was the work created/executed?

2. What specific techniques are integral to creating the work?

3. What is the original context for this work, i.e. book, performance, etc?


Cultural Statement (Optional): A supplemental statement describing how your work is rooted in a specific cultural technique, tradition or community. Up to 400 words. 


Write a Cultural Statement if: Referencing only the submitted Work Samples

1. Your practice stems from a specific and/or unique cultural tradition.

2. The understanding of your work is dependent on the context of a cultural community.

REVIEW PROCESS

How are applications reviewed?

Playwriting/Screenwriting applications are reviewed online over the course of 3 elimination rounds. All applications will be reviewed anonymously in the first round of review.

In Round 1, the panel will have access to all applicants’ Work Samples (up to 20 pages of manuscript) and the Work Statement. Applications are assigned a number and reviewed anonymously. In these rounds panelists are directed to review and score applications independently.

In Round 2, panelists will have access to all supplemental written statements (i.e: Artist Statement, Excerpt Explanation, Cultural Statement, and/or Technical Statement). Similar to the first round, the panel will continue to review and score applications independently.

In the following round, the panel will meet online and collectively discuss the applications that have made it into this round before selecting the Fellowship Recipients.

Please note, panelists will not look at websites of any kind during the application review process.
Submitting any work that has been awarded a NYSCA/NYFA Artist Fellowship in the past will automatically disqualify your application.

Once submitted, you will no longer be able to make changes to your application!

You will receive an automatic confirmation notification from Submittable once your application has been successfully submitted. If you do not see this confirmation, please contact [email protected]. 

Applications submitted after the stated deadline will not be accepted and no exceptions will be made. We highly recommend completing your application before the deadline to allow time for work samples to upload and to avoid potential technical problems.

DOWNLOAD THE PLAYWRITING/SCREENWRITING APPLICATION GUIDELINES PDF