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Image of Michael Rakowitz (Fellow in Architecture '06)
Merche Blasco performs at New York's La Mama Experimental Theatre Club, leaning over a soundboard and against several screens showing close-ups of her performance Photo Credit: Mariana Oriente
Image Credit: Merche Blasco (Fellow in Digital/Electronic Arts ’17), Espongina, Performance at La Mama, December 2016, Photo Credit: Mariana Oriente
Karen Ostrom (Fellow in Computer Arts ‘01)
Collage of photographs depicting aerial views.
Justin Berry (Digital/Electronic Arts ’14)
Pascual Jaime Sisto (Fellow in Digital/Electronic Arts '17)
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Image of 5 works of art hanging on a simple grey wall in the corner of a room.
Angelina Gualdoni (Fellow in Painting ’08), Transference in Aurora, Illinois, 2004, Acrylic and oil on canvas.
dance by Stephen Petronio Company at the Joyce Theater, New York City
Image: A black-and-white photograph of an individual in a striped shirt and suspenders, superimposed against a green curtain.
Karen Ostrom (Fellow in Computer Arts ‘01), Image Courtesy: Karen Ostrom
Image of two women laying down on a bed that is shaped like an iglu.
NYFA Staff gathers around a table.
dance by Stephen Petronio Company at the Joyce Theater, New York City
Collage of maps and acrylic painting depicting a web of roads in a suburban landscape pictured from above.
Matthew Cusick (Fellow in Painting ’06), Course of Empire (Mixmaster 1), 2003 Inlaid maps, acrylic, on panel 30 x 42 inches
Color photograph focusing on five pairs of legs and feet sitting side by side, each pair wears mismatched shoes.
Decorative circle pattern
Xenobia Bailey (Fellow in Crafts/Sculpture ’03)
Surface Tension, Jean Shin exhibition at Cristin Tierney
Metallic tall structure in desert landscape and blue sky by Zaq Landsberg
Zaq Landsberg (Fellow in Crafts/Sculpture ’17) Zaqistan Decennial Monument 2015, Aluminum, Steel 18’ x 16’ x 10’
Tremaine Foundation Logo
Two individuals pose in front of a painted piece of canvas over a white wall.
Kuldeep Singh (Fellow in Interdisciplinary Work ’18); “ARCHITECTONICS OF DISPERSION immersive acts and objects;” 2017; Installation-based collaborative performance; paintings, sculptures in mud and dough and fabric – with performative acts; Photo Credit: Zhiyuan Yang
Image of Anne Muntges
Image of Eleysha Sajous
Image of Gabriella Calandro
Image of Madeleine Cutrona
Image of Mark Rossier
Image of Matthew Seig
Image of Priscilla Son
Group image featuring NYFA's Executive Director Michael L. Royce and Past Immediate Board Chair Judith K. Brodsky with NYFA-affiliated artists who were honored at NYFA's 2016 Hall of Fame Benefit.
NYFA Executive Director Michael L. Royce (left) and Past Immediate Board Chair Judith K. Brodsky (second from right) with 2016 Hall of Fame Inductees Anna Deavere Smith, James Casebere, Faith Ringgold, and Zhou Long, Photo Credit: Carl Timpone/BFA.com
A pink, red, and purple-lit installation shot of ethereal, motorized sculptural works by Shih Chieh Huang.
Shih Chieh Huang (Architecture/Environmental Structures/Design ’02, Computer Arts ’07, Digital/Electronic Arts ’14), “EX-DD-06,” 2006, mixed medium
A photograph of a clonal colony of 10,500 year old Dead Huon Pines, one of the oldest things in the world, by Rachel Sussman.
Rachel Sussman (Photography ’13), Dead Huon Pine (10,500 yrs old, Tasmania), 2011
Mosaic pattern created using water-based woodcuts, by Takuji Hamanaka
Takuji Hamanaka (Fellow in Printmaking/Drawing/Artists’ Books ’17), Light of Silence, 2016, water-based woodcut mounted on museum board
An image of the front cover of NYFA's "The Profitable Artist" book and another of two hands holding the book open - both against a bright green background and by Marco Scozzaro.
The Profitable Artist, Photo and Artwork Credit: Marco Scozzaro (IAP ’16)
Rhode Island School of Design students sit around tables in a casual learning environment.
NYFA Presents “How to Make it as a Fine Artist,” 2018, Photo Kevin Jankowski
Two women sit at a table as one consults the other about art career matters.
Image: A NYFA Coaching session at NYFA’s Brooklyn office, Photo Credit: Amy Aronoff for NYFA
A man dressed as a woman is peering through the colorful curtain of theater dressing room.
Shayok Mukhopadhyay (Fellow in Video/Film ’18), production still from GAUTAM, BUDDHA, 2018, digital photograph, copyright Shayok Mukhopadhyay
Several people looking at their phone screens; Credit: Aroussiak Gabrielian and Alison B. Hirsch
Work-in-Progress Screenshot of an Early Concept Study, Memorial to Black Lives, Courtesy: Aroussiak Gabrielian and Alison B. Hirsch
Image: Photograph of an immersive installation depicting a household plant using different media.
Pascual Jaime Sisto (Fellow in Digital/Electronic Arts ’17), “Aucuba Expanded,” 2016, Image Courtesy: Pascual Jaime Sisto
Image: Photograph of a site-specific installation in a building's interior, made of yellow rope, beam clamps, and eye bolts.
Jeffrey Williams (Fellow in Architecture/Environmental Structures/Design ’19’), “17,000 ft2 of Shade,” 2018, Image Courtesy: Jeffrey Williams
Image: Archival inkjet print depicting a variety of abstract shapes.
Lucas Blalock (Fellow in Photography ’19), “Lite Blues,” 2017, Image Courtesy: Lucas Blalock
Image: Detail of a painting with purple background and swirled lines, red shapes, and yellow dabs of paint in the foreground.
Gabe Brown (Fellow in Painting ’18), “Hi Fi,” 2017, Image Courtesy: Novado Gallery
Image: Detail of acrylic and oil painting with different geometric shapes against a grid drawn with curved, sometimes uneven lines.
Lisa Corinne Davis (Fellow in Painting ‘18), “Determined Delirium,” 2017, Image Courtesy: Lisa Corinne Davis
Image: Photographed scene depicting people on makeshift rafts on water.
Swoon (Fellow in Architecture/Environmental Structures/Design ’13), “Swimming Cities of Serenissima, Adriatic Sea,” 2013, Image Courtesy: Swoon
Image: Detail of an oil painting with taupe, orange, teal, brown, purple and red geometric stripes and dripped paint.
Deborah Zlotsky (Fellow in Painting ’12, ’18), Bewitched, 2017, Image Courtesy: Deborah Zlotsky
Image: Detail of a painting depicting ginseng root and flowers.
Michael Stamm (Fellow in Painting ’18), “Tincture #1,” 2017, Image courtesy: Michael Stamm
Image: Painting of a building in construction, with the building's frame set against the sky and greenery.
Julian Kreimer (Fellow in Painting ’18), “Construction #1,” 2015, Courtesy: Julian Kreimer
Image: Watercolor image with text stating "Recharge Foundation Fellowship for New Surrealist Art"
Abstract composition with charcoal and red pastel on irregularly torn paper.
Charlotte Schulz (Fellow in Printmaking/Drawing/Book Arts ’17), “A Geography of Significance: light pours over a domestic crevasse and filters through to a quiet place,” charcoal and pastel on paper, 2016, 20” x 38” x ½”
Black and white image of individual looking at theirselves in the mirror
Image: a surrealistic scene of a bed, cloud, clock set to 11:59, rabbit, and blue dress against a starry sky.
Image: (detail) Leigh Davis (Sponsored Project), “Inquiry Into the ELE,” 2017
Photo of a performance in the dark with some hard spots of light with vegetation on the righty and a table with a computer and several wires on the right.
Merche Blasco (Fellow in Digital/Electronic Arts ’17), Sonic Bloom; Photo: David Rehor
Image of film crew on the street at night, nine individuals have their backs to the camera, five of hem are sitting down, facing a truck.
Image: Flavio Alves (Fiscally Sponsored Project ’16), “The Garden Left Behind”
Image: A mostly cream-colored painted resin sculpture sits on a white pedestal.
Hiroyuki Hamada (Fellow in Crafts/Sculpture ’09 & ’17), “#74,” 2011-13
Image: A woman sits upright at her laptop computer in an outdoor setting.
A woman participates in one of NYFA’s online workshops, Image Credit: Amy Aronoff for NYFA
Color image of horizontal coat hanger over blue wall; above each hook are faded labels with Japanese characters.
Image Credit: (detail) Ayano Hisa (Fellow in Photography ’13), “Untitled 7 (From Schools in Tohoku),” 2011, chromogenic or archival pigment print
Image of white abstract line drawing over deep blue background.
Ellen Grossman (Fellow in Printmaking/Drawing/Book Arts ’17), Siphon, 2016, Metallic gel pen ink on ph neutral translucent blue paper, 9″ x 12″ (detail)
Image: Digital still of 3D metallic shapes over gradient background.
Pascual Jaime Sisto (Fellow in Digital/Electronic Arts ’17), “All Watched Over by Machines of Loving Grace,” 2013
Image: An individual in a bright-colored shirt, hat, and gloves builds a blue brick wall against a graphic blue-patterned background.
Ronald A. Amstutz (Fellow in Performance/Multidisciplinary ’03)
Image: A group of seven women in yellow dresses stand on an elevated yellow box-structure with a yellow railing.
Kate Gilmore (Fellow in Interdisciplinary Work ’12), “Walk the Walk,” 2010
Image: Detail of an abstract depiction of intersecting geometric shapes and lines, made of gouache, ink, colored pencil, graphite, pastel on paper.
Dannielle Tegeder (Fellow in Printmaking/Drawing/Book Arts ’17), “Linear Momentum and Collisions,” 2016, Image Credit: Dannielle Tegeder
Installation of three small televisions over three white pillars in a white room.
Image: detail Christie Neptune (Fellow in Interdisciplinary Work ’18), She Fell from Normalcy, 2016, three-channel HD video, Image Courtesy: The Rubber Factory
Image: red, yellow, purple, blue, Green, and black shapes and lines on a found paper background.
Sean Sullivan (Fellow in Printmaking/Drawing/Book Arts ’17), Saudade Station, 2017
Image: An elaborate structure is suspended from the ceiling, with hand-cut paper black and white objects suspended from it.
Jane South (Fellow in Sculpture ’07), “Floor/Ceiling (Detail),” 2013
Image: Two wooden benches highlighting the exposed roost of a sugar maple tree.
Jack Elliott (Fellow in Crafts/Sculpture ’17), “Van Rose Benches,” 2010
Image: A photograph of an imperfectly-constructed and somewhat shabby interior space with a high-chair, lamp, TV, and sofa.
Rachel Granofsky (Fellow in Photography ’19), “After/After,” 2018
Image: Detail of a larger work of cut paper featuring two purple/grey shapes on a primarily peach background.
Detail Natalie Beall (Fellow in Printmaking/Drawing/Book Arts ’17), “Untitled (Index of Function),” 2015
Image: Collage of a lush, green plant environment; blue and purple mountains; concrete; and rusted steel panels.
detail Letha Wilson (Fellow in Photography ’19), Steel Face Concrete Bend (Napali Coast Flower Hand), 2017
Image: People sit on top of wrecked cars in an indoor drive-in movie setting.
Todd Chandler (Fellow in Video/Film ’12), “Floor Tide at Empire Drive-In,” 2010
Image: a triptych from a live interdisciplinary performance, showing an individual standing in front of images projected on a screen.
LoVid (Fellows in Digital/Electronic Arts ’17), “InterPlayce,” 2016, Image Credit: Nick Scavo for Issue Project Room
Image: layers of blue, turquoise, mauve, and green paint with a graceful indigo leaf-like pattern overtop.
detail Gabe Brown (Fellow in Painting ’18), “Red Hot,” 2016
Image: A man holds a book open at his laptop computer.
A participant in one of NYFA’s online workshops refers to NYFA’s popular “The Profitable Artist” book, Image Credit: NYFA
Headshot of Murray Reich over burgundy, black, and white background.
Image: More than a dozen computer screens and TV monitors sit together in a darkened room with vibrant, abstract digital artwork on their screens.
detail LoVid (Fellows in Digital/Electronic Arts ’17), “Ruby Rendering,” 2015, Image Credit: Megan Raymond for SU Art Galleries
Several people and open newspapers on dark stage.
Parijat Desai (Finalist in Choreography ’19), JustLikeThat 3.0/ 2017 Harlem Stage Still from Video by Nic Petry Pictured: Parijat Desai, Saju Hari, Riti Sachdeva, Roopa Mahadevan, Philip Mayer
Image: Folding tables are lined up in the center of a large space, with people animatedly speaking across from one another.
Immigrant Artist Mentoring Program: Visual and Multidisciplinary Artists, January 2019, Image Credit: NYFA
Image: A painting featuring bright spots of color and twisting lines.
Tracy Miller (Fellow in Painting ’18)
Image: A dancer reaching wearing a extensive, multi-colored skirt
Courtesy Svea Schneider of INSITU (Sponsored Project)
Image: A woman and two children stand in the desert, a red carpet spread behind them.
Diana Markosian (Fellow in Photography ’19), Allison Janae Hamilton (Fellow in Interdisciplinary Work ’18)
Image: A dancer in motion, watched by a small audience that surrounds the stage.
Michelle Boule (Fellow in Choreography ’16)
Several colorful sheets over a table.
A black megaphone rests on a piece of wood with green pastures and blue skies in the background
Image of two couches over a dark background
Image of installation containing accumulated paper tubes and motion sensitive lights casting shadows on the walls and ceiling.
Picture of Geoff Kagan, Esq. in front of a screen presentation during the Know Your Rights Training.
Picture of Ravi Agbir in front of a screen that reads "Art Spaces as Sensitive Locations"
ConEdison Logo
Image: a photograph of an outdoor art installation along rocky cliffs that features four enlarged images from the inside of Guantanamo Bay detention camp.
Courtesy of Debi Cornwall, “Welcome to Camp America” (Sponsored Project)
Image: A paper figure holds a glowing phone screen up to his illuminated face.
Case Jernigan (Finalist in Video/Film ’18), “See/Saw,” 2016
Painting of a living room with a prominent green couch.
Image: a collage work by Teressa Valla that references disaster and flooding that was created in response to Hurricane Sandy.
Teressa Valla, “Embrace the Reality,” 2012
One individual standing up in red and one individual sitting down hold a third individual arching their back.
SAME AS SISTER “The Exciting Event…” (2017, work-in-progress), Interdisciplinary Performance, Photo Credit: ©️ Ian Douglas NYSCA/NYFA Artist Fellowship 2019 Choreography
Image: Detail of acrylic and oil painting with different geometric shapes against a grid drawn with curved, sometimes uneven lines.
Lisa Corinne Davis (Fellow in Painting ‘18), “Determined Delirium,” 2017, Image Courtesy: Lisa Corinne Davis
Image: A plain bright orange image with a slight texture
Orange textured background image, Courtesy NYFA
Image: Cropped photograph of a dancer on a dark stage who is lit from behind. A large silver seashell is suspended above her on stage.
Future Pointe Dance led by Guy Thorne, Elephant Grass, 2017; Photo Credit: Adrian Elim
Two women of African decent are pictured here. The woman on the left is looking up to her right wearing a black and red beaded blouse and a yellow and black beaded crown with cowrie shells on the top of the crown. On the right, the woman wears an over the shoulder draped top with a heavy beaded necklace and a cowrie shell beaded veil crown with black and white feathers. Her eyes are closed.
Destinie Adelakun (Canadian Women Artists’ Award ’20), “ADE – Oshun and Oya’s crown,” 2020
Hall of Fame invitation image by Sun K. Kwak (Finalist in Architecture/Environmental Studies/Design ’13), Untying Pink, 31 1/8″ x 31 1/8″, industrial paint on wooden panel, masking tape, varnish, 2005
2015 Hall of Fame Inductees from left: Eric Overmyer, Shirin Neshat, Judith K. Brodsky, and Antony Hegarty. Photo by Samantha Nandez/BFAnyc.com
Hall of Fame Benefit at 583 Park Avenue. Photo by Samantha Nandez/BFAnyc.com
NYFA board members and event co-chairs Lynda Logan and Toby Usnik with Laetitia Soulier (IAP ’13), center. Photo by Samantha Nandez/BFAnyc.com
Still from Jason Bernagozzi’s “I Believe it is a Signal”
Still from Jason Bernagozzi’s “I Believe it is a Signal”
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